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86 photos
"Het Molentje" (the small mill),seen from Amsteldijk. Pen and wash,bistre 9,6 x 21,3 cm Inc. 8870
#33010449

"Het Molentje" (the small mill),seen from Amsteldijk. Pen and wash,bistre 9,6...

Male nude,upright, around 1646. Pen and wash,bistre, 19,8 x 13,8 cm Inv.8827
#33010450

Male nude,upright, around 1646. Pen and wash,bistre, 19,...

"Selfportrait with mouth open", 1628-1629, one of Rembrandt's first self-portraits when he was between 22 and 23 years old. PD, Gg.2-253
#33010912

"Selfportrait with mouth open", 1628-1629, one of Rembrandt's first self-portrai...

"The Star of the Kings" ,a Dutch custom to celebrate the Feast of Epiphany (January 6th), commemorating the visit of the Three Kings or Magi to the newborn Christ. Children went from door to door with a lantern shaped like a star, sang and asked for money from the owners of the houses. PD 1910-2-12-189
#33010913

"The Star of the Kings" ,a Dutch custom to celebrate the Feast of Epiphany (Janu...

'The Shell', 1650. The shell is a Conus marmoreus, which is native to south-east Africa, Polynesia and Hawaii. The shell's striking pattern, with the tight spiral of its base, has been captured in great detail. PD, 1868-8-22-672 (Hind 248, Bartsch 159)
#33010953

'The Shell', 1650. The shell is a Conus marmoreus, which is native to south-east...

'The Entombment', c1654. One of a series of prints that depict episodes from the life of Christ. The bearded old man standing on the left may be Joseph of Arimathaea, who gave up his tomb for Christ. Below him, Mary's slumped frame carries the curve of the design towards the limp body of her son, supported by five men. One of them has jumped into the grave to lift the body from below, while the bearded figure must be holding the lamp that illuminates the scene. In the opposite corner, a group of mourning women look away from this painful sight. PD, 1910-2-12-360 (state I);PD, 1843-5-13-249 (sta
#33010954

'The Entombment', c1654. One of a series of prints that depict episodes from the...

'The Three Trees', 1643. The three trees are buffeted by gusts of wind and rise in a burst of sunlight against a sky of rapidly moving clouds. On the left, a standing fisherman watches the end of his line, while his wife waits with a lunch basket. Above them, cows, horses and people are scattered in the sunlit fields, beyond which the towers of the distant city almost vanish in a squall of rain. On the near right, two lovers can be glimpsed in the undergrowth. A wagon on the brow of the hill approaches a seated artist, who sketches the view that is out of our sight. Behind the trunks of the three trees, some cottages shelter in the hollow of the hill, while far above them a flock of birds soars high in the sky.This atmospheric print is widely regarded as Rembrandt's greatest as well as his most elaborate landscape etching. PD, 1868-8-22-678 (Hind 205; Bartsch 212)
#330111 3

'The Three Trees', 1643. The three trees are buffeted by gusts of wind and rise...

The Company of Frans Banning Cocq and Willem van Ruytenburch, known as the 'Night Watch' 1642 Canvas; 363 x 437 cm SK-C-5 (Before the restoration!)
#39151070

The Company of Frans Banning Cocq and Willem van Ruytenburch, known as the 'Nigh...

Femme agee: la mere de Rembrandt. Wood, 12,5 x 9,5 cm INV 1223
#39190214

Femme agee: la mere de Rembrandt. Wood, 12,5 x 9,5 cm INV 1223

Belsazar's Feast, around 1635. Canvas, 167,6 x 209,2 cm NG 6350
#39190260

Belsazar's Feast, around 1635. Canvas, 167,6 x 209,2 cm NG 6350

The woman taken in adultery, 1644. Oak, 33,8 x 65,4 cm NG 45
#39190261

The woman taken in adultery, 1644. Oak, 33,8 x 65,4 cm NG 45

Rembrandt à la toque sur fond d'architecture Peint vers 1640 (la date de 1637 est rajoutée). Wood, 80 x 62cm. Inv. 1746
#39191667

Rembrandt à la toque sur fond d'architecture Peint vers 1640 (la date de 1637 e...