Angels general


Rainer Maria Rilke, the Second Elegie, translated by A. S. Kline

Every Angel is terror. And yet,
ah, knowing you, I invoke you, almost deadly
birds of the soul. Where are the days of Tobias,
when one of the most radiant of you stood at the simple threshold,
disguised somewhat for the journey and already no longer
awesome (Like a youth, to the youth looking out curiously).
Let the Archangel now, the dangerous one, from behind the stars,
take a single step down and toward us: our own heart,
beating on high would beat us down. What are you?

Early successes, Creation's favourite ones,
mountain-chains, ridges reddened by dawns
of all origin - pollen of flowering godhead,
junctions of light, corridors, stairs, thrones,
spaces of being, shields of bliss, tempests
of storm-filled, delighted feeling and, suddenly, solitary
mirrors: gathering their own out-streamed beauty
back into their faces again.

For we, when we feel, evaporate: oh, we
breathe ourselves out and away: from ember to ember,
yielding us fainter fragrance. Then someone may say to us:
'Yes, you are in my blood, the room, the Spring-time
is filling with you'..... What use is that: they cannot hold us,
we vanish inside and around them. And those who are beautiful,
oh, who holds them back? Appearance, endlessly, stands up,
in their face, and goes by. Like dew from the morning grass,
what is ours rises from us, like the heat
from a dish that is warmed. O smile: where? O upward gaze:
new, warm, vanishing wave of the heart - :
oh, we are that. Does the cosmic space,
we dissolve into, taste of us then? Do the Angels
really only take back what is theirs, what has streamed out of
them, or is there sometimes, as if by an oversight, something
of our being, as well? Are we as mingled with their
features, as there is vagueness in the faces
of pregnant women? They do not see it in the swirling
return to themselves. (How should they see it?)

Lovers, if they knew how, might utter
strange things in night air. Since it seems
everything hides us. Look, trees exist; houses,
we live in, still stand. Only we
pass everything by, like an exchange of air.
And all is at one, in keeping us secret, half out of
shame perhaps, half out of inexpressible hope.

Lovers, each satisfied in the other, I ask
you about us. You grasp yourselves. Have you a sign?
Look, it happens to me, that at times my hands
become aware of each other, or that my worn face
hides itself in them. That gives me a slight
sensation. But who would dare to exist only for that?
You, though, who grow in the other's delight
until, overwhelmed, they beg:
'No more' -: you, who under your hands
grow richer like vintage years of the vine:
who sometimes vanish, because the other
has so gained the ascendancy: I ask you of us. I know
you touch so blissfully because the caress withholds,
because the place you cover so tenderly
does not disappear: because beneath it you feel
pure duration. So that you promise eternity
almost, from the embrace. And yet, when you've endured
the first terrible glances, and the yearning at windows,
and the first walk together, just once, through the garden:
Lovers, are you the same? When you raise yourselves
one to another's mouth, and hang there - sip against sip:
O, how strangely the drinker then escapes from their action.
Weren't you amazed by the caution of human gesture
on Attic steles? Weren't love and departure
laid so lightly on shoulders, they seemed to be made
of other matter than ours? Think of the hands
how they rest without weight, though there is power in the torso.
Those self-controlled ones know, through that: so much is ours, this is us, to touch our own selves so: the gods
may bear down more heavily on us. But that is the gods' affair.

If only we too could discover a pure, contained
human place, a strip of fruitful land of our own,
between river and stone! For our own heart exceeds us,
even as theirs did. And we can no longer
gaze after it into images, that soothe it, or into
godlike bodies, where it restrains itself more completely.

Psalm 103, 20

Bless the Lord, ye his angels, that excel in strength, that do his commandments, hearkening unto the voice of his word.





247 photos
The church San Leonardo near Siponte was built         
in 1261 for the Teutonic Knights' Order. A hospital    
and and lodgings for pilgrims were also provided.      
A capital of the portal shows a sleeping pilgrim.
#23020149

The church San Leonardo near Siponte was built in 1261 for the Teutonic...

The church San Leonardo near Siponte was built         
in 1261 for the Teutonic Knights' Order. A hospital    
and and lodgings for pilgrims were also provided.      
A capital of the portal shows the Archangel Saint      
Michael leading a pilgrim to the sanctuary on Gargano.
#23020150

The church San Leonardo near Siponte was built in 1261 for the Teutonic...

The church San Leonardo near Siponte was built         
in 1261 for the Teutonic Knights' Order. A hospital    
and and lodgings for pilgrims were also provided.      
A garland of birds surrounds the portal.
#23020151

The church San Leonardo near Siponte was built in 1261 for the Teutonic...

The church San Leonardo near Siponte was built         
in 1261 for the Teutonic Knights' Order. A hospital    
and and lodgings for pilgrims were also provided.      
The former hospital behind the church.
#23020152

The church San Leonardo near Siponte was built in 1261 for the Teutonic...

House for industrialist Johann Evangelist Zacherl,     
Wildpretmarkt 2-4,Vienna, 1903-1905.                   
On the facade a monumental angel with flaming sword    
standing over a lion's head.Copper,by Ferdinand Andri  
(1871-1956).
#26020269

House for industrialist Johann Evangelist Zacherl, Wildpretmarkt 2-4,Vienna...

Cradle of Napoleon II, Duke of Reichstadt
Angel, gilt wood carving (Detail of 30-01-02/31)
#30010233

Cradle of Napoleon II, Duke of Reichstadt Angel, gilt wood carving (Detail of 3...

Reliquary of the "Vraie Croix de Jaucourt" carried by two
angels. Byzantine,12th-13th,Mount Cham Church of 
Joucourt,Aube.                                    
Gilt silver and copper, 26 x 38 x 17 cm
OA 6749
#30010314

Reliquary of the "Vraie Croix de Jaucourt" carried by two angels. Byzantine,12t...

Gilded table clock, angel protecting a praying child.
#30010612

Gilded table clock, angel protecting a praying child.

Gold medallion with the ascension of Christ,Early Byzantine,
around 600. Two gold discs mounted back to back and embossed with scenes from the Life od Christ.Recto: The Ascension. Figures below hold up their hands in adoration.
The Greek inscriotion translates "Our peace we leave with you" (John 14:27).                         M&ME 1983,7-4,1
#300108 6

Gold medallion with the ascension of Christ,Early Byzantine, around 600. Two go...

Reliquary Angel
14th century; punch of Toulouse
Gilded silver; face painted
MR 551
#30010929

Reliquary Angel 14th century; punch of Toulouse Gilded silver; face painted M...

Reliquary Angel
15th Century; France
gilded silver, face painted
MR 550
#30010930

Reliquary Angel 15th Century; France gilded silver, face painted MR 550

Mosaic showing Abel sacrificing a lamb and Melchizedek,  Priest-King of Salem, sacrificing bread.
6th century CE; Presbytery of San Vitale Basilica, Ravenna
#300110 9

Mosaic showing Abel sacrificing a lamb and Melchizedek, Priest-King of Salem, s...