Angels general


Rainer Maria Rilke, the Second Elegie, translated by A. S. Kline

Every Angel is terror. And yet,
ah, knowing you, I invoke you, almost deadly
birds of the soul. Where are the days of Tobias,
when one of the most radiant of you stood at the simple threshold,
disguised somewhat for the journey and already no longer
awesome (Like a youth, to the youth looking out curiously).
Let the Archangel now, the dangerous one, from behind the stars,
take a single step down and toward us: our own heart,
beating on high would beat us down. What are you?

Early successes, Creation's favourite ones,
mountain-chains, ridges reddened by dawns
of all origin - pollen of flowering godhead,
junctions of light, corridors, stairs, thrones,
spaces of being, shields of bliss, tempests
of storm-filled, delighted feeling and, suddenly, solitary
mirrors: gathering their own out-streamed beauty
back into their faces again.

For we, when we feel, evaporate: oh, we
breathe ourselves out and away: from ember to ember,
yielding us fainter fragrance. Then someone may say to us:
'Yes, you are in my blood, the room, the Spring-time
is filling with you'..... What use is that: they cannot hold us,
we vanish inside and around them. And those who are beautiful,
oh, who holds them back? Appearance, endlessly, stands up,
in their face, and goes by. Like dew from the morning grass,
what is ours rises from us, like the heat
from a dish that is warmed. O smile: where? O upward gaze:
new, warm, vanishing wave of the heart - :
oh, we are that. Does the cosmic space,
we dissolve into, taste of us then? Do the Angels
really only take back what is theirs, what has streamed out of
them, or is there sometimes, as if by an oversight, something
of our being, as well? Are we as mingled with their
features, as there is vagueness in the faces
of pregnant women? They do not see it in the swirling
return to themselves. (How should they see it?)

Lovers, if they knew how, might utter
strange things in night air. Since it seems
everything hides us. Look, trees exist; houses,
we live in, still stand. Only we
pass everything by, like an exchange of air.
And all is at one, in keeping us secret, half out of
shame perhaps, half out of inexpressible hope.

Lovers, each satisfied in the other, I ask
you about us. You grasp yourselves. Have you a sign?
Look, it happens to me, that at times my hands
become aware of each other, or that my worn face
hides itself in them. That gives me a slight
sensation. But who would dare to exist only for that?
You, though, who grow in the other's delight
until, overwhelmed, they beg:
'No more' -: you, who under your hands
grow richer like vintage years of the vine:
who sometimes vanish, because the other
has so gained the ascendancy: I ask you of us. I know
you touch so blissfully because the caress withholds,
because the place you cover so tenderly
does not disappear: because beneath it you feel
pure duration. So that you promise eternity
almost, from the embrace. And yet, when you've endured
the first terrible glances, and the yearning at windows,
and the first walk together, just once, through the garden:
Lovers, are you the same? When you raise yourselves
one to another's mouth, and hang there - sip against sip:
O, how strangely the drinker then escapes from their action.
Weren't you amazed by the caution of human gesture
on Attic steles? Weren't love and departure
laid so lightly on shoulders, they seemed to be made
of other matter than ours? Think of the hands
how they rest without weight, though there is power in the torso.
Those self-controlled ones know, through that: so much is ours, this is us, to touch our own selves so: the gods
may bear down more heavily on us. But that is the gods' affair.

If only we too could discover a pure, contained
human place, a strip of fruitful land of our own,
between river and stone! For our own heart exceeds us,
even as theirs did. And we can no longer
gaze after it into images, that soothe it, or into
godlike bodies, where it restrains itself more completely.

Psalm 103, 20

Bless the Lord, ye his angels, that excel in strength, that do his commandments, hearkening unto the voice of his word.





247 photos
Apocalypse d'Angers,1373-1387, a series of tapestries  
woven for Louis I,Duke of Anjou.                       
Saint John Divine and the seven churches of Asia.      
(Revelations 1:10-11)
#310302 7

Apocalypse d'Angers,1373-1387, a series of tapestries woven for Louis I,Duke...

Apocalypse d'Angers,1373-1387, a series of tapestries  
woven for Louis I.,Duke of Anjou. #27                  
The angel with the open book.    


Apo 1: 12 - 13
#31030212

Apocalypse d'Angers,1373-1387, a series of tapestries woven for Louis I.,Duke...

Apocalypse d'Angers,1373-1387, a series of tapestries  
woven for Louis I.,Duke of Anjou. #50                  
The Second Angel announces the fall of Babylon.     


Apo 18: 9 - 10
#31030215

Apocalypse d'Angers,1373-1387, a series of tapestries woven for Louis I.,Duke...

Apocalypse d'Angers,1373-1387, a series of tapestries  
woven for Louis I.,Duke of Anjou. #52                  
The Sleep of the Just. 


Apo 14: 13
#31030216

Apocalypse d'Angers,1373-1387, a series of tapestries woven for Louis I.,Duke...

Apocalypse d'Angers,1373-1387, a series of tapestries  
woven for Louis I.,Duke of Anjou. #64                  
The Great Whore of Babylon.


Apo 17: 1 - 2
#31030218

Apocalypse d'Angers,1373-1387, a series of tapestries woven for Louis I.,Duke...

Apocalypse d'Angers,1373-1387, a series of tapestries  
woven for Louis I.,Duke of Anjou. #70                  
An angel and Saint John Divine (detail). 


Apo 1: 9 - 10
#31030219

Apocalypse d'Angers,1373-1387, a series of tapestries woven for Louis I.,Duke...

The Woman clothed with the Sun and the Seven-headed Dragon. The Revelation of Saint John (Apocalypse, IX. Figure). Around 1497. 
Woodcut, 394 x 283mm.
(monogrammed)
#33020119

The Woman clothed with the Sun and the Seven-headed Dragon. The Revelation of Sa...

The Sea Monster and the Beast with the Lamb's Horns. The Revelation of Saint John (Apocalypse, XI. Figure). Around 1496/97. 
Woodcut, 395 x 285mm.
(monogrammed)
#33020121

The Sea Monster and the Beast with the Lamb's Horns. The Revelation of Saint Joh...

The Whore of Babylon. The Revelation of Saint John (Apocalypse, XIII. Figure). Around 1496/97. 
Woodcut, 394 x 283mm. (monogrammed)


Apo 17: 1 - 4
#33020123

The Whore of Babylon. The Revelation of Saint John (Apocalypse, XIII. Figure). A...

The Angel with the Key hurling the Dragon into the Abyss and another Angel showing Saint John the New Jerusalem. The Revelation of Saint John (Apocalypse, XIV. Figure). Around 1497/98. 
Woodcut, 396 x 285mm.
(monogrammed)
#33020124

The Angel with the Key hurling the Dragon into the Abyss and another Angel showi...

The Angel bringing the message to Joachim. (Life of the Virgin, 3). Around 1504. 
Woodcut, 301 x 212mm.
(monogrammed)
#33020145

The Angel bringing the message to Joachim. (Life of the Virgin, 3). Around 1504....

The Last Judgment. (Small Passion, 37). Around 1510.
Woodcut, 127 x 97mm.
(monogrammed)
#33020251

The Last Judgment. (Small Passion, 37). Around 1510. Woodcut, 127 x 97mm. (mon...