Angels general


Rainer Maria Rilke, the Second Elegie, translated by A. S. Kline

Every Angel is terror. And yet,
ah, knowing you, I invoke you, almost deadly
birds of the soul. Where are the days of Tobias,
when one of the most radiant of you stood at the simple threshold,
disguised somewhat for the journey and already no longer
awesome (Like a youth, to the youth looking out curiously).
Let the Archangel now, the dangerous one, from behind the stars,
take a single step down and toward us: our own heart,
beating on high would beat us down. What are you?

Early successes, Creation's favourite ones,
mountain-chains, ridges reddened by dawns
of all origin - pollen of flowering godhead,
junctions of light, corridors, stairs, thrones,
spaces of being, shields of bliss, tempests
of storm-filled, delighted feeling and, suddenly, solitary
mirrors: gathering their own out-streamed beauty
back into their faces again.

For we, when we feel, evaporate: oh, we
breathe ourselves out and away: from ember to ember,
yielding us fainter fragrance. Then someone may say to us:
'Yes, you are in my blood, the room, the Spring-time
is filling with you'..... What use is that: they cannot hold us,
we vanish inside and around them. And those who are beautiful,
oh, who holds them back? Appearance, endlessly, stands up,
in their face, and goes by. Like dew from the morning grass,
what is ours rises from us, like the heat
from a dish that is warmed. O smile: where? O upward gaze:
new, warm, vanishing wave of the heart - :
oh, we are that. Does the cosmic space,
we dissolve into, taste of us then? Do the Angels
really only take back what is theirs, what has streamed out of
them, or is there sometimes, as if by an oversight, something
of our being, as well? Are we as mingled with their
features, as there is vagueness in the faces
of pregnant women? They do not see it in the swirling
return to themselves. (How should they see it?)

Lovers, if they knew how, might utter
strange things in night air. Since it seems
everything hides us. Look, trees exist; houses,
we live in, still stand. Only we
pass everything by, like an exchange of air.
And all is at one, in keeping us secret, half out of
shame perhaps, half out of inexpressible hope.

Lovers, each satisfied in the other, I ask
you about us. You grasp yourselves. Have you a sign?
Look, it happens to me, that at times my hands
become aware of each other, or that my worn face
hides itself in them. That gives me a slight
sensation. But who would dare to exist only for that?
You, though, who grow in the other's delight
until, overwhelmed, they beg:
'No more' -: you, who under your hands
grow richer like vintage years of the vine:
who sometimes vanish, because the other
has so gained the ascendancy: I ask you of us. I know
you touch so blissfully because the caress withholds,
because the place you cover so tenderly
does not disappear: because beneath it you feel
pure duration. So that you promise eternity
almost, from the embrace. And yet, when you've endured
the first terrible glances, and the yearning at windows,
and the first walk together, just once, through the garden:
Lovers, are you the same? When you raise yourselves
one to another's mouth, and hang there - sip against sip:
O, how strangely the drinker then escapes from their action.
Weren't you amazed by the caution of human gesture
on Attic steles? Weren't love and departure
laid so lightly on shoulders, they seemed to be made
of other matter than ours? Think of the hands
how they rest without weight, though there is power in the torso.
Those self-controlled ones know, through that: so much is ours, this is us, to touch our own selves so: the gods
may bear down more heavily on us. But that is the gods' affair.

If only we too could discover a pure, contained
human place, a strip of fruitful land of our own,
between river and stone! For our own heart exceeds us,
even as theirs did. And we can no longer
gaze after it into images, that soothe it, or into
godlike bodies, where it restrains itself more completely.

Psalm 103, 20

Bless the Lord, ye his angels, that excel in strength, that do his commandments, hearkening unto the voice of his word.





247 photos
Announcement to the shepherds. Detail of               
the mosaic "The Nativity" 15-03-03/19.
#15030323

Announcement to the shepherds. Detail of the mosaic "The Nativity...

Transfer of the reliquies of a Saint.                  
From Vincent de Beauvais:Miroir Historial,French,15th. 
Ms 722/1196 fol. 69 recto.
#15030412

Transfer of the reliquies of a Saint. From Vincent de Beauvais...

The Deposition, from the Thessaloniki Epitaph.         
Embroidery, gold wire on purple silk cloth.
#15030420

The Deposition, from the Thessaloniki Epitaph. Embroidery, gold wire on...

Christ on his bier with angels.                        
Detail of "The Thessaloniki Epitaph".                  
Embroidery, gold wire on purple silk cloth
#15030421

Christ on his bier with angels. Detail of "The Thessalon...

The Death of the Virgin Mary.                          
Detail of the antepedium Pala d'Oro                    
from Constantinople (ca. 1100).                        
Gold, enamel, and precious stones                      
Overall size: 140 x 350 cm
#15030430

The Death of the Virgin Mary. Detail of the antepedium...

Resurrection of Christ, angels                         
in Heaven, apostles on the Earth.                      
Bronze plaque
#15030434

Resurrection of Christ, angels in Heaven, apostles on t...

The angel drives Adam and Eve from Paradise. From the  
mosaic floor of the cathedral of Otranto, southern     
Italy. The cathedral was built under Roger, Norman     
Duke of Apulia, and consecrated in 1088. The mosaic    
floor of 1166 is a compendium of medieval lore.        
See also 40-11-24/36-46
#15030536

The angel drives Adam and Eve from Paradise. From the mosaic floor of the cat...

An angel leading "the Just". From the Last Judgement   
sequence, the Baptistery, Florence. Mosaics cover the  
entire cupola. They were begun in 1220 and completed   
a century later. The designs are by Florentine         
painters, among them Cimabue and the young Giotto.
#15030546

An angel leading "the Just". From the Last Judgement sequence, the Baptistery...

The Fall. An angel drives Adam and Eve from Paradise.  
From the Baptistery in Florence. Mosaics cover the     
entire cupola. They were begun in 1220 and completed   
a century later. The designs are by Florentine painters
among them Cimabue and the young Giotto.
#15030549

The Fall. An angel drives Adam and Eve from Paradise. From the Baptistery in F...

St.Clement in Ohrid, Macedonia. Built 1295.
#15030654

St.Clement in Ohrid, Macedonia. Built 1295.

Saint Mary, below holy communion.Church St.Clement,
Ohrid, Macedonia.
#15030655

Saint Mary, below holy communion.Church St.Clement, Ohrid, Macedonia.

Saint Mercurios,a militant saint of the Greek
church,always shown wearing armour.
From the church St.Clement in Ohrid,Macedonia,
Around 1295.
#15030656

Saint Mercurios,a militant saint of the Greek church,always shown wearing armour...