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The Sargon Vase from Nimrud, northern Iraq. Neo-Assyrian, 8th century BCE. A cuneiform inscription on it reads:"Palace of Sargon King of Assyria". An engraved lion occurs often with inscriptions of Sargon II (722-705 BCE) and is probably an official mark that the article derives from or belongs to Sargon's palace or treasury. ANE, 90952
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The Sargon Vase from Nimrud, northern Iraq. Neo-Assyrian, 8th century BCE. A cu...

The Rassam obelisk from Nimrud, Mesopotamia, northern Iraq. Neo-Assyrian, 883-859 BCE. This fragment of a stone relief formed part of an obelisk discovered by archaeologist Hormuzd Rassam. The obelisk decorated one of the central squares in Nimrud, the site where King Ashurbanipal II chose to build his new administrative centre of the Assyrian Empire. This panel shows the king watching treasure being weighed on a pair of scales. ANE, 118800.
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The Rassam obelisk from Nimrud, Mesopotamia, northern Iraq. Neo-Assyrian, 883-85...

Stone panel from the South-West palace of Sennacherib, Ninveh, northern Iraq, Neo-Assyrian, 700-695 BCE. The two figures on this panel formed part of the king's bodyguard. The archer on the left is a lightly-armed soldier who was probably drawn from the Aramaic-speaking communities, while the spear-man on the right, with a turban and kilt, comes from around Palestine. See also 08-02-05/23,47. ANE, 124901
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Stone panel from the South-West palace of Sennacherib, Ninveh, northern Iraq, Ne...

The Taylor-Prism, Neo-Assyrian, from Niniveh,northern Iraq, 691 BCE. This six-sided baked clay document is a foundation record, intended to preserve Sennacherib's achievements for posterity and the gods.The prism records Sennachrib's third campaign, the destruction of 46 cities in Judah and the deportaion of 200.150 people. Hezekiah, king of Judah, is said to hve sent tribute to Sennacherib. ANE 91032
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The Taylor-Prism, Neo-Assyrian, from Niniveh,northern Iraq, 691 BCE. This six-si...

Winged spirit (Génie protecteur) 7th century BCE; Tell Ahmar; reign of Ashurbanipal ? Element of a decorative frieze; on coating of clay, colours posed on a whitewash (chalk milk): ochre, red, carbon black, Egyptian blue H.: 49cm; W.: 55cm AO 23009
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Winged spirit (Génie protecteur) 7th century BCE; Tell Ahmar; reign of Ashurban...

Assyrian slingers attacking the Judean fortified town of Lachish (battle 701 BCE). Part of a relief from the palace of Sennacherib at Niniveh, Mesopotamia (Iraq). See also 08-02-03/52
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Assyrian slingers attacking the Judean fortified town of Lachish (battle 701 BC...

Leaving for the hunt with dogs and cages. Stone bas-relief (7th BCE) from the palace of Ashurbanipal in Niniveh, Mesopotamia (Iraq).
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Leaving for the hunt with dogs and cages. Stone bas-relief (7th BCE) from the p...

Emperor Valerian (ca. 200-260 CE) kneels in front of Sassanid King Shapur I (241 to 272 CE). After the battle of Edessa, Valerian was forced to seek terms with Shapur I. Sometime towards the end of 259, or at the beginning of 260, Valerian was defeated and made prisoner by the Persians (making him the only Roman Emperor taken captive). It is said that he was subjected to the greatest insults by his captors, such as being used as a human stepladder by Shapur when mounting his horse. After his execution, his skin was stuffed with straw and preserved as a trophy in the chief Persian temple. Only after the Persian defeat in the last Persia-Roman war three and a half centuries later, was his skin destroyed.
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Emperor Valerian (ca. 200-260 CE) kneels in front of Sassanid King Shapur I (24...

Statue of Nofret wearing a wig and bead necklace (detail). Painted limestone statue from Meidum, Egypt; 2620 BCE, Old Kingdom (4th dynasty); height: 1,18m She was part of the royal entourage of Pharaoh Snofru, King of the 4th dynasty, and held the title "one known to the king". Her husband was Prince Rahotep, who was High Priest of Re at Heliopolis, Director of Expeditions and Chief of Construction. The quality and beauty of this marvellously preserved seated statue of Nofret, along with a statue of Rahotep in the same style, found in 1871 in their brick mastaba at Meidum, confirms her high rank. It is not unlikely that it was created by highly skilled sculptors working for the royal ateliers. The face of the statue expresses the same solemness and self-assuredness as the royal statues of the same dynasty. The realism in this statue is increased by the glass inlaid eyes and its realistic size.
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Statue of Nofret wearing a wig and bead necklace (detail). Painted limestone st...

Wooden sculpture of Queen Ahmose Merit-Amon, wife of Amenophis I. From Deir el-Bahari, Egypt. New Kingdom (18th dynasty).
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Wooden sculpture of Queen Ahmose Merit-Amon, wife of Amenophis I. From Deir el-B...

Pharaoh Amenophis III (1391-1353 BCE) in chariot wearing a crown with the uraeus cobra. God Nekhbet (vulture) is depicted hovering with her wings spread above the royal image, clutching an ankh (symbol of life) in her claws. Next to the Pharaoh is a depiction of his cartouche (Symbol of the royal name). Relief from the Temple of Merneptah (1213 - 1203 BCE). Merneptah used stones and reliefs from the 150 year older nearby Temple of Amenophis III (1391-1353 BCE). In some instances, he had his own carvings done over the original ones, in other cases he just reused the whole lot. This has resulted in an abundance of the wall-decorations showing Amenophis III in Merneptah's temple. Luxor , Egypt; New Kingdom (18th-19th dynasty). See also 03-03-02/49
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Pharaoh Amenophis III (1391-1353 BCE) in chariot wearing a crown with the uraeus...

Pharaoh Amenophis III (1391-1353 BCE) in chariot wearing a crown with the uraeus cobra. God Nekhbet (vulture) is depicted hovering with her wings spread above the royal image, clutching an ankh (symbol of life) in her claws. Next to the Pharaoh is a depiction of his cartouche (Symbol of the royal name). Nubian captives with their hands tied can be seen on the horses. Relief from the Temple of Merneptah (1213 - 1203 BCE). Merneptah used stones and reliefs from the 150 year older nearby Temple of Amenophis III (1391-1353 BCE). In some instances, he had his own carvings done over the original ones, in other cases he just reused the whole lot. This has resulted in an abundance of the wall-decorations showing Amenophis III in Merneptah's temple. Luxor, Egypt; New Kingdom (18th-19th dynasty). See also 03-03-02/48
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Pharaoh Amenophis III (1391-1353 BCE) in chariot wearing a crown with the uraeus...