back to overview
 


Christianity


Old Testament,New Testament,Saints,Life of Jesus Christ,Mary, Mother of Christ,Mary Magdalen,Passion,Apocalypse, Last Judgement, Heaven and HellAngels



16 subcategories
ANGELS

ANGELS

Apostles

APOSTLES

Christmas

CHRISTMAS

Churches and Cathedrals

CHURCHES AND CATHEDRALS

Clergy

CLERGY

Compendium Jesus Christ

COMPENDIUM JESUS CHRIST

Cult Objects and Reliquaries

CULT OBJECTS AND RELIQUARIES

Eucharist

EUCHARIST

Mary Magdalen

MARY MAGDALEN

Mary, Mother of Christ

MARY, MOTHER OF CHRIST

Orthodox

ORTHODOX

Passion of Jesus Christ

PASSION OF JESUS CHRIST

Prayer, Worship and Rituals

PRAYER, WORSHIP AND RITUALS

Saints

SAINTS

The Gospels, Acts of the Apostles etc. (New Testament)

THE GOSPELS, ACTS OF THE APOSTLES ETC. (NEW TESTAMENT)

Trinity

TRINITY

8,471 photos
The Virgin and Child with Saints and Donors (The Donne Triptych), about 1478. Right shutter: Saint John Baptist, left shuttter: Saint John Evangelist Oil on oak, central panel 70.7 x 70.5 cm; shutters each approximately 71 x 30 cm. NG6275.1. The triptych was probably commissioned in Bruges by Sir John Donne of Kidwelly, a Welshman resident in Calais, in the late 1470s. Accompanied by Saint Catherine, he kneels in adoration to the Virgin and Child, while Saint Barbara accompanies Lady Donne and their daughter. On the left-hand shutter is Saint John the Baptist and on the right, Saint John the Evangelist, Sir John Donne's name-saints. Seen through the window behind the Evangelist is a peacock, a symbol of eternity.
#39190529

The Virgin and Child with Saints and Donors (The Donne Triptych), about 1478. R...

Paumgartner Altar, around 1500. Left shutter: Saint George; central panel: birth of Christ; right shutter: Saint Eustachius. Oil on lime panel, 155 x 126 cm (central), 151 x 61 cm (each shutter). Inv.-Nr. 706, 701, 702.
#39190530

Paumgartner Altar, around 1500. Left shutter: Saint George; central panel: birt...

Country Wedding. Oil on canvas, 184 x 126 cm. Cat. 1441
#39190533

Country Wedding. Oil on canvas, 184 x 126 cm. Cat. 1441

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of Santo Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest. A self-portrait of El Greco is third from left, above raised hand.
#39190538

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest. El Greco is the third person from left, above raised hand; his son is the young page, left foregrund.
#39190539

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest. El Greco is the third person from left, above raised hand; his son is the young page, left foregrund.
#39190540

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest.
#39190541

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest.
#39190542

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest.
#39190543

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The Supper at Emmaus, 1622-1623. Oil on canvas, 123.2 x 132.7 cm.
#39190550

The Supper at Emmaus, 1622-1623. Oil on canvas, 123.2 x 132.7 cm.

Friar Pedro clubs El Maragato with the butt of the gun, 1806. Oil on panel, 30.3 x 39.9 cm. Francisco José de Goya y Lucientes was a passionate chronicler of the spectrum of human experience, from the mundane to the most brutal political events. The story of the capture of the dreaded Spanish bandit El Maragato in 1806 by the humble monk Pedro de Zaldivia caught the artist’s imagination. It also caught the attention of the Spanish population. The event was publicized in newspapers and pamphlets and became the subject of ballads, popular prints, and paintings.
#39190552

Friar Pedro clubs El Maragato with the butt of the gun, 1806. Oil on panel, 30....

Friar Pedro wrests the gun from El Maragato, 1806. Oil on panel, 30.3 x 39.9 cm. Francisco José de Goya y Lucientes was a passionate chronicler of the spectrum of human experience, from the mundane to the most brutal political events. The story of the capture of the dreaded Spanish bandit El Maragato in 1806 by the humble monk Pedro de Zaldivia caught the artist’s imagination. It also caught the attention of the Spanish population. The event was publicized in newspapers and pamphlets and became the subject of ballads, popular prints, and paintings.
#39190553

Friar Pedro wrests the gun from El Maragato, 1806. Oil on panel, 30.3 x 39.9 cm...