back to overview
 
7 subcategories
Birds

BIRDS

Cats

CATS

Dogs

DOGS

Fish

FISH

Horses

HORSES

Insects

INSECTS

Mytological Animals

MYTOLOGICAL ANIMALS

5,197 photos
Farney Hall, Otley: The deer park
#39170116

Farney Hall, Otley: The deer park

Farney Hall, Otley: Shooting party on moors
#39170117

Farney Hall, Otley: Shooting party on moors

Farnley Hall from the East circa 1818 Bodycolour and chalk on paper; 311 x 394 mm Private collection Wilton number: 587
#39170123

Farnley Hall from the East circa 1818 Bodycolour and chalk on paper; 311 x...

Coach on road through dale, moors behind Private Collection
#39170124

Coach on road through dale, moors behind Private Collection

Cottage Interior by Firelight 1790-1 Pencil and watercolour on paper; 254 x 331 mm D00187
#39170128

Cottage Interior by Firelight 1790-1 Pencil and watercolour on paper; 254 x 33...

Fishermen at Sea 1796 Canvas; 914 x 1222 mm frame: 1120 x 1425 x 105 mm T01585
#39170129

Fishermen at Sea 1796 Canvas; 914 x 1222 mm frame: 1120 x 1425 x 105 mm T0...

Calais Pier, with French Fishermen Preparing for Sea: An English Packet Arriving Canvas; 1720 x 2400 mm
#39170134

Calais Pier, with French Fishermen Preparing for Sea: An English Packet Arriving...

Sun Rising through Vapour: Fishermen Cleaning and Selling Fish Canvas; 1340 x 1795 mm
#39170136

Sun Rising through Vapour: Fishermen Cleaning and Selling Fish Canvas; 1340 x 1...

Norham Castle, on the River Tweed circa 1822-3 Watercolour on paper; 156 x 216 mm D18148
#39170139

Norham Castle, on the River Tweed circa 1822-3 Watercolour on paper; 156 x...

Palestrina - Composition 1828, exhibited 1830 Canvas; 1403 x 2489 mm frame: 1586 x 2680 x 90 mm N06283
#39170141

Palestrina - Composition 1828, exhibited 1830 Canvas; 1403 x 2489 mm frame:...

The Hay-Wain (with Willy Lott's cottage by Flatford Mill) 1821 Canvas; 130 x 185 cm
#39170160

The Hay-Wain (with Willy Lott's cottage by Flatford Mill) 1821 Canvas; 130 x 1...

Beata Beatrix circa 1864-70 Rossetti’s inspiration for this painting was the Vita Nuova (New Life), the Italian poet Dante’s account of his idealised love for Beatrice, and of her premature death. The death of Beatrice is symbolised by a sudden spiritual transfiguration. A bird, a messenger of death, drops a white poppy between her open hands. The shadow of the sundial rests on the figure nine, the number Dante connects mystically with Beatrice and her death. In the background the shadowy figure of Dante gazes towards the figure of Love. Rossetti saw this work as a memorial to his wife, Elizabeth Siddall, who had died in 1862. Oil on canvas; 864 x 660 mm N01279
#39170163

Beata Beatrix circa 1864-70 Rossetti’s inspiration for this painting was the...