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Fine Arts


Painting, Watercolour, Plastic Arts, Woodcuts, Etching, Drawing.



22 subcategories
Altars

ALTARS

Armours

ARMOURS

Book Illumination

BOOK ILLUMINATION

Carvings

CARVINGS

Ceramic

CERAMIC

Drawing

DRAWING

Enamel

ENAMEL

Engravings

ENGRAVINGS

Fresco and Wallpainting

FRESCO AND WALLPAINTING

Goldsmith Works

GOLDSMITH WORKS

Handicraft

HANDICRAFT

Jewelry

JEWELRY

Mosaics

MOSAICS

Painting

PAINTING

Plastic Arts

PLASTIC ARTS

Posters

POSTERS

Prints

PRINTS

Relief

RELIEF

Sculpture

SCULPTURE

Silverwork

SILVERWORK

Textile Works

TEXTILE WORKS

Watercolour

WATERCOLOUR

14,174 photos
The eternal lamentation of the damned. Illustration to "Ein Allerhailsamste warnung vor der falschenn lieb diser werlt". Published by Peter Wagner, Nuremberg, before 1490. Woodcut.
#330204 6

The eternal lamentation of the damned. Illustration to "Ein Allerhailsamste warn...

The reward of the chosen, represented by the crowning of Mary surrounded by the Saints. Illustration to "Ein Allerhailsamste warnung vor der falschenn lieb diser werlt". Published by Peter Wagner, Nuremberg, before 1490. Woodcut.
#330204 7

The reward of the chosen, represented by the crowning of Mary surrounded by the...

Illustration on the title page of "Oratio Cassandre Venete". Published by Peter Wagner, Nuremberg, after December 1488. Woodcut.
#330204 8

Illustration on the title page of "Oratio Cassandre Venete". Published by Peter...

Woodcut to "Wie der Würffel auff ist Kumen". Published by Max Ayrer, Nuremberg, 1489). This woodcut is divided into two parts. Above: The Devil tempting a knight to gamble, the outbreak of a quarrel at the gaming table punished by death on the wheel. Below: Other executions as the result of gambling.
#330204 9

Woodcut to "Wie der Würffel auff ist Kumen". Published by Max Ayrer, Nuremberg,...

Jean Charlier de Gerson (1363-1429) as pilgrim. Gerson, Chancellor of the University of Paris (1363-1429) suspected of leanings to reform, fled after the Council of Constance to Rattenberg in Tyrol, and is perhaps for this reason always portrayed as a pilgrim. Title woodcut in the second part of the Works of Jean Charlier de Gerson. Published by Georg Stuechs, Nuremberg, 1489.
#33020410

Jean Charlier de Gerson (1363-1429) as pilgrim. Gerson, Chancellor of the Univer...

A teacher with four scholars. Illustration to Alexander Gallus: "Prima Pars doctrinalis". Published by Friedrich Creussner, Nuremberg, 1491. Woodcut.
#33020411

A teacher with four scholars. Illustration to Alexander Gallus: "Prima Pars doc...

The Theatre. Woodcut, 229 x 142mm. Reprints made in the 19th century, woodblock lost. Illustration to "Comedies of Terence" (Publius Terentius Afer: Comoediae). Around 1492/93. Not published as a book; preserved are 132 woodcuts.
#33020412

The Theatre. Woodcut, 229 x 142mm. Reprints made in the 19th century, woodblock...

Phaedria and Parmeno (Eunuchus I,6). The Eunuch laments to his slave Parmeno that he suffers from the whimsw of the Hetaera Thais. Woodcut, 89 x 145mm. Reprints made in the 19th century. Illustration to "Comedies of Terence" (Publius Terentius Afer: Comoediae). Around 1492/93. Not published as a book; preserved are 132 woodcuts.
#33020413

Phaedria and Parmeno (Eunuchus I,6). The Eunuch laments to his slave Parmeno tha...

Antipho (Eunuchus III,4). Antipho, who does not know that his friend Chaerea has exchanged parts with the Eunuch, is astonished at his freind's non-appearance at the pre-arranged banquet. Woodcut, 89 x 145mm. Reprints made in the 19th century, woodblock lost. Illustration to "Comedies of Terence" (Publius Terentius Afer: Comoediae). Around 1492/93. Not published as a book; preserved are 132 woodcuts.
#33020414

Antipho (Eunuchus III,4). Antipho, who does not know that his friend Chaerea has...

Phaedria (Eunuchus IV,2). Phaedria, deep in thought, goes past his country house, where he intends spending a few days. Woodcut, 91 x 146mm. Reprints made in the 19th century. Illustration to "Comedies of Terence" (Publius Terentius Afer: Comoediae). Around 1492/93. Not published as a book; preserved are 132 woodcuts.
#33020415

Phaedria (Eunuchus IV,2). Phaedria, deep in thought, goes past his country house...

Laches and Parmeno (Eunuchus V,6). Parmeno meets Laches, the father of Phaedria, and imparts bad news to him. Woodcut, 90 x 148mm. Reprints made in the 19th century. Illustration to "Comedies of Terence" (Publius Terentius Afer: Comoediae). Around 1492/93. Not published as a book; preserved are 132 woodcuts.
#33020416

Laches and Parmeno (Eunuchus V,6). Parmeno meets Laches, the father of Phaedria,...

Davus, Simo,and Chremes (Andria III,4). Simo relates to his slave Davus, that the marriage of his son Pamphilus was only a sham. Woodcut, 89 x 145mm. Reprints made in the 19th century, woodblock lost. Illustration to "Comedies of Terence" (Publius Terentius Afer: Comoediae). Around 1492/93. Not published as a book; preserved are 132 woodcuts.
#33020417

Davus, Simo,and Chremes (Andria III,4). Simo relates to his slave Davus, that th...