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Fine Arts


Painting, Watercolour, Plastic Arts, Woodcuts, Etching, Drawing.



22 subcategories
Altars

ALTARS

Armours

ARMOURS

Book Illumination

BOOK ILLUMINATION

Carvings

CARVINGS

Ceramic

CERAMIC

Drawing

DRAWING

Enamel

ENAMEL

Engravings

ENGRAVINGS

Fresco and Wallpainting

FRESCO AND WALLPAINTING

Goldsmith Works

GOLDSMITH WORKS

Handicraft

HANDICRAFT

Jewelry

JEWELRY

Mosaics

MOSAICS

Painting

PAINTING

Plastic Arts

PLASTIC ARTS

Posters

POSTERS

Prints

PRINTS

Relief

RELIEF

Sculpture

SCULPTURE

Silverwork

SILVERWORK

Textile Works

TEXTILE WORKS

Watercolour

WATERCOLOUR

14,174 photos
Landscape with ironworks, 1595. Wood, 41 x 64cm. Cat. 1854
#39190536

Landscape with ironworks, 1595. Wood, 41 x 64cm. Cat. 1854

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of Santo Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest. A self-portrait of El Greco is third from left, above raised hand.
#39190538

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest. El Greco is the third person from left, above raised hand; his son is the young page, left foregrund.
#39190539

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest. El Greco is the third person from left, above raised hand; his son is the young page, left foregrund.
#39190540

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest.
#39190541

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest.
#39190542

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detail. The church of San Tome was founded in the 12th century but completely rebuilt in the 14th, thanks to funds from the Count of Orgaz, a pious citizen of Toledo, who died in 1312. Local legend has it that Saint Stephen and Saint Augustine intervened at his burial to lay him to rest.
#39190543

The burial of the Count of Orgaz, 1586-1588. Oil on canvas, 480 x 360 cm. Detai...

Witches' Sabbath, 1789. Oil on canvas, 43 x 30cm.
#39190551

Witches' Sabbath, 1789. Oil on canvas, 43 x 30cm.

Friar Pedro clubs El Maragato with the butt of the gun, 1806. Oil on panel, 30.3 x 39.9 cm. Francisco José de Goya y Lucientes was a passionate chronicler of the spectrum of human experience, from the mundane to the most brutal political events. The story of the capture of the dreaded Spanish bandit El Maragato in 1806 by the humble monk Pedro de Zaldivia caught the artist’s imagination. It also caught the attention of the Spanish population. The event was publicized in newspapers and pamphlets and became the subject of ballads, popular prints, and paintings.
#39190552

Friar Pedro clubs El Maragato with the butt of the gun, 1806. Oil on panel, 30....

Friar Pedro wrests the gun from El Maragato, 1806. Oil on panel, 30.3 x 39.9 cm. Francisco José de Goya y Lucientes was a passionate chronicler of the spectrum of human experience, from the mundane to the most brutal political events. The story of the capture of the dreaded Spanish bandit El Maragato in 1806 by the humble monk Pedro de Zaldivia caught the artist’s imagination. It also caught the attention of the Spanish population. The event was publicized in newspapers and pamphlets and became the subject of ballads, popular prints, and paintings.
#39190553

Friar Pedro wrests the gun from El Maragato, 1806. Oil on panel, 30.3 x 39.9 cm...

Fire at Night, 1793-94. Oil on tinplate, 50 x 32 cm.
#39190554

Fire at Night, 1793-94. Oil on tinplate, 50 x 32 cm.

The bullfight (attributed to Francisco de Goya).
#39190555

The bullfight (attributed to Francisco de Goya).